چکیده مقاله
The notion of the Renaissance Man of the sixteenth century inextricably interwoven with its emphasis on man’s individuality and human’s potentials is an issue that is closely related to the core of the Elizabethan Renaissance tragedies and more importantly to Christopher Marlowe’s The Tragical History of Doctor Faustus 1604 Similarly, the hero’s, Dr Faustus, self selective, passionate quest for gaining absolute power through knowledge is reminiscent of the Nietzschean tragic hero, i e the Übermensch Hence, the main objective of this research paper is to render a Nietzschean examination of the aforementioned play in order to reach the conclusion that Dr Faustus’s actions and his ultimate downfall in the end can be taken into account as a Dionysian rebirth achieved through an effort of will In the same manner, it can be concluded that Marlowe’s Dr Faustus is a Nietzschean Übermensch on the account of the fact that he is presented as a conscious individual in search of unconditional superiority
کلیدواژهها
نویسندگان
Elmira Bazregarzadeh
PhD Candidate of English Language and Literature at Islamic Azad University, Tabriz Branch,Iran
شیوه ارجاع
Bazregarzadeh, Elmira,1398,Christopher Marlowe’s Dr. Faustus: a Nietzschean Übermensch,The 2nd International Conference on Language Studies, Literature, Culture and History
ارائهشده در
مجموعه مقالات دومین کنفرانس بین المللی مطالعات زبان،ادبیات، فرهنگ و تاریخ18 اردیبهشت 1398