چکیده مقاله
The recent years have seen a change in our approach to the notion of truth From the transcendentalist notions of the world of ideals, we have now developed a postmodern concept of truth as a dialectical opposition of many disparate facts As an exemplary postmodern filmmaker, three of Lars von Tiers movies will be discussed, revealing a Nietzschean genealogical approach and Foucauldian concepts of discursive institutions of power: Dogville 2004 , Breaking the Waves 1996 , and The House that Jack Built 2018 Dogville reveals the dialectical tension between the idea of America as the land of opportunities and the oppressive and exploitative treatment of the locals of the girl that has taken refuge in their village Breaking the Waves shows the fate of its protagonist, Bess, who is destroyed when she begins to act against the discursive norms of the society Finally, The House that Jack Built reveals the dialectical position of its antihero, Jack, as both an architect of a system as well as the free spirited yet twisted artist who opposes it All three challenge the audience’s perceptions about reality and truth
کلیدواژهها
نویسندگان
Hadi Parishani
MA Student of Literature
Masoud Rostami
Hadi Parishani MA Student of Literature
شیوه ارجاع
Parishani, Hadi and Rostami, Masoud,1400,A socio-cultural reading of Power in Lars von Trier’s Breaking the waves, Dogville, and The House That Jack Built,Ninth International Conference on Language, Literature, Culture and History
ارائهشده در
مجموعه مقالات نهمین کنفرانس بین المللی مطالعات زبان، ادبیات، فرهنگ و تاریخ14 آبان 1400