چکیده مقاله
The serious movement to create animation in Iran was established in 1969, after three major international festivals that were held for children and youth in Tehran A number of designers, illustrators, graphic artists, and educated painters were fascinated by the art of animation and gave movement to the images that they were stagnant Institute for the Intellectual Development of Children and Young Adults KANOON has had the greatest influence on the improvement, expansion and growth of animation in Iran, and such artists as Noureddin Zarrinkelk, Farshid Mesghali, Aliakbar Sadeghi, Nafiseh Riahi, Arapik Baghdasarian and Morteza Momayyez are among the most prominent artists of this art These artists were sent to the eastern block countries to obtain more experience Iran's animation needs to be used by Iranian visual and imaginary elements to find a national identity some of these artist achievements did by Iranian painting, which won international prizes What is the visual characteristic of animation in the seventies of the KANOON compared to other animation schools How did animation filmmakers of seventies get this style and what was its result
کلیدواژهها
نویسندگان
شیوه ارجاع
Fadaei Darestani, Fatemeh,1403,The visual aspects of Iranian animation: 1970s ;With Special Ref. The institute for the intellectual development of Children and Young,19th International Conference on Language , Literature , Culture and History Studies
ارائهشده در
مجموعه مقالات نوزدهمین کنفرانس بین المللی مطالعات زبان، ادبیات، فرهنگ و تاریخ8 تیر 1403