چکیده مقاله
Prandello’s Six Characters In Search of An Author is a hallmark of Absurdist metatheatre Right in the opening scene, the actors assemble for rehearsal Their portrayal is insignificant, and this is only emphasized by the grand entrance of the “characters ” The play underwent changes from its beginning stage in 1921, and these changes increasingly portrayed the “characters” as completely distinguished from the “actors ” In his 1925 essay PIRANDELLO CONFESSES , Pirandello aims to address “why” and “how” he wrote the play His argument revolves around the characters as would be expected, but underlying this emphasis on the character is a lingering tension regarding the actors Their existence rejects explanation, so Pirandello doesn’t attempt it Here, we aim to take a magnifying look at the actors of a play that doesn’t want us to, and evaluate the implications of their insignificant yet certain presence when it comes to the life of ourselves
کلیدواژهها
نویسندگان
Fatemeh Mirkazemiyan
Katholieke Universiteit Leuven KUL
Amirhossein Hashemi
Vrije Universiteit Brussel VUB
Mina Delnavaz
Katholieke Universiteit Leuven KUL
شیوه ارجاع
Mirkazemiyan, Fatemeh and Hashemi, Amirhossein and Delnavaz, Mina,1401,The Unhardened Form: Actors in Pirandello’s Six Characters In Search of An Author,The 14th International Conference on Language, Literature, Culture and History
ارائهشده در
مجموعه مقالات چهاردهمین کنفرانس بین المللی زبان، ادبیات، فرهنگ و تاریخ22 اسفند 1401