چکیده مقاله
In an era shaped by algorithmic saturation and global media flows, identity can no longer be understood as a stable category but must be theorized as a dynamic, dialectical process This article explores the construction of identity through media by engaging Theodor W Adorno’s Negative Dialectics alongside contemporary media aesthetics and sociological critique It proposes a five stage analytical model—comprising aesthetic mediation, subject object oscillation, experiential rupture, dialectical reconstruction, and open ended identity outcome—that conceptualizes media not as a neutral transmitter, but as a site of embodied, aesthetic confrontation with non identity The model is applied to Flight, the immersive installation in the Polish Pavilion at the 2019 Venice Biennale, revealing how such environments provoke critical identity reformation through disorientation, affect, and formal ambiguity Findings demonstrate that immersive media can resist totalizing representations and catalyze reflexive self understanding, validating the model’s applicability This research contributes to media philosophy, aesthetic theory, and identity studies by offering a transferable framework for analyzing how media art practices mediate, unsettle, and reconstruct identity in contemporary cultural life
کلیدواژهها
نویسندگان
Sheyda Bordbar
Independent Researcher, Shiraz, Iran
شیوه ارجاع
Bordbar, Sheyda,1404,Identity Through Negative Dialectics: Analyzing Media’s Cultural Role in Rewriting Global Identities,22nd International Conference on Language , Literature , Culture and History Studies,Tehran
ارائهشده در
مجموعه مقالات بیست و دومین کنفرانس بین المللی مطالعات زبان، ادبیات، فرهنگ و تاریخ24 مرداد 1404 · تهران